Cindy Bruchman

Films. History. Photography. Books. Let's talk.

Thomas Hardy and Pints at The Wiseman


In 1996, I studied Thomas Hardy (Tess of the d’Urbervilles) in Dorset County, England for six weeks during the summer.  Dr. Morgan, an Illinois State University professor, was a Hardy Scholar and for over 20 years, he took students to this south-central slice of heaven. Before his retirement, I signed up for the graduate English course as one of a group of twelve. An Elizabethan summer home was converted into an Agricultural College and while students were out for the summer, our group used their dorm rooms and facilities.

img-216113653km sign

The upside to the incessant rain in June provided lush gardens for us to enjoy in July. img-216113732img-216113732

During the day, the gazebo at the top of this croquet garden was the perfect spot for reading Thomas Hardy’s books and poetry. At night, it was the perfect confessional for heart-to-heart talks under the stars.  Thomas Hardy lived in and loved Dorset County so much, he set his novels about the county, but changed the names of the towns and hamlets to fictional ones. For his most famous novel, Tess of the d’Urbervilles, our time in the Elizabethan mansion was a location spot, too. Hardy’s satirical story of Tess was a sad one. She was a milkmaid who was raped, loved and lost her man Angel. She became a mistress and a murderess. The double-standard of the Victorian female purity makes Tess a significant British novel.

For each of Hardy’s novels, we journeyed to the exact location of the plot and read it there. One such spot was Stonehenge. When I first visited Stonehenge in the late 70s, you could walk in and around and hug the stones, if you wanted. By the time I was last there in 1996, they had roped off the area due to vandalism. Imagine spray-painting one of the druid stones. Blasphemy! Now all one can do is walk around them from afar. If getting close to rocks is your thing, head up north to the other end of the island and take a ferry to the Orkney and Shetland Islands and you can dance around ancient rocks all day long.


One spot (above) in Tess of the d’Urbervilles is the Sandbourne seaside resort area. Very close by is Lulworth Cove where a person can hike the trails for hundreds of miles along the southern coast. When I return to the area someday, I imagine hiking all day, followed by pints in the evening and a night in a B & B. What a great way to spend a summer in England, I daydream. Here are some of my favorite shots that I took.






Speaking of pints, I love English pubs, especially thatched ones. When class was over for the day and we exhausted every angle of analyzing Tess, a small group of us would head off a mile away for evening mingling with the locals at The Wise Man Inn.



Tuesdays were dart night. The league was getting ready to begin when a few of the men from the village had not shown up. There was a grandfatherly type who ran the show and he asked our table of six girls if anyone wanted to fill in. It just so happened I was a pretty good dart player; I had lots of practice when I lived in Scotland while stationed in the Navy.


Feeling merry from the lager, I stood at the line, facing the board and wondered where to throw. UK dart players can count backward from 301 and reach zero a lot faster than I can, and the experienced dart players in a league liked to play quickly. It was our turn, and we had 103 points remaining to win the game. My partner, the old gentleman who’d been playing for sixty years, stood next to my ear and whispered where I was to throw the darts. “Triple 20.” Pling!  He whispered again, “Triple 13.” It was like he was in my mind talking to my hand. Perfect. Finally, he said, “Double two.”  Ha! We won the game, and everyone clapped. It was one of my finer moments.

“The Voice”

By Thomas Hardy


Woman much missed, how you call to me, call to me,
Saying that now you are not as you were
When you had changed from the one who was all to me,
But as at first, when our day was fair.
Can it be you that I hear? Let me view you, then,
Standing as when I drew near to the town
Where you would wait for me: yes, as I knew you then,
Even to the original air-blue gown!
Or is it only the breeze, in its listlessness
Travelling across the wet mead to me here,
You being ever dissolved to wan wistlessness,
Heard no more again far or near?
Thus I; faltering forward,
Leaves around me falling,
Wind oozing thin through the thorn from norward,
And the woman calling.

Lucky 13 Film Club: The Duality of Meryl Streep


The L13FC involves analyzing an aspect of the film industry. A co-host joins me on the thirteenth of the month to lead the discussion. Attract new readership as I will link your blog. Don’t be shy; email me at, and let’s shape an idea together. Too busy next month? That’s okay. Co-host in the spring or the summer. There is no pressure and it’s a lot of fun. 

Today is my birthday, and I thank you for stopping by to share it with me.

Cindy’s thoughts: 

Have you ever noticed Meryl Streep‘s characters are either feminine or masculine? Do you sigh with incredulity because Streep was nominated again for a role? I have. Not everything she does is Oscar-worthy, but she has been consistently fantastic for decades. No one can replicate her accents, her subtleties, or her range. She is our modern-day Katharine Hepburn or Bette Davis. What do we know about Streep’s choices? She is a feminist via her characters. They show us that women are capable of anything and are strong enough to survive in the harshest of circumstances. Since high school, I have followed her career, growing up and old with her. I’ve seen the majority of her films, and I have noticed Meryl is binary. Her feminine choices are fragile, manipulative, vulnerable, sexy, soft and confused. Her masculine roles are durable, forthright, strong, unsexy, hard and determined. She is yin or yang. She is female or male depending on the role.



Check out this clip, and you’ll see what I mean. When Meryl plays the man, the character not only defeats but devours those around her. A few of her male roles show the worst attributes (greed and egomania) a man can have. It makes me wonder what kind of feminism is this? Women who break glass ceilings are just as corrupt as the worst of men? What of the other extreme, that is, the woman who manipulates by her sexuality? I find myself scratching my head.

I prefer Meryl Streep best when she’s chosen characters with both the yin and yang. The female who is strong yet sensitive. The female who adapts to her hardships and survives without resorting to greed or power. I am a fan of Meryl Streep’s acting but have grown weary of her as the symbol of womanhood and Hollywood.

I find her earlier roles more satisfying; the mix is apparent and her characters are subtle and graceful. Streep’s melodramatic, manic roles are off-putting. Which are her best? Sophie’s Choice, Out of Africa, Silkwood, and The French Lieutenant’s Woman.   

What I WISH would happen is that a great script would fall in the laps of Daniel Day-Lewis and Meryl Streep simultaneously. I would love to see those two greats in a film together. 

Winter Project: actor Steve McQueen

Here continues an annual series exploring the filmography of a male film legend I know little about. I grew up with those blue eyes and wrinkled face in the setting of my early childhood, but I’ve only seen a couple of his films. This winter, I’ll set to task to read Marshall Terrill‘s biography on Steve McQueen. I’ll revisit his iconic roles, the lesser known, and check out the films you think I shouldn’t miss. Please join me with your thoughts and observations.

Nevada Smith (1966)

Directed by Henry Hathaway and starring: Karl Malden, Brian Keith, Suzanne Pleshette, Arthur Kennedy and Martin Landau. Screenwriter John Michael Hayes adapted the film based on a character from The Carpetbaggers(1961), a novel by Harold Robbins.

Steve McQueen was 36, the wrinkles in his forehead deeply etched, when he played Max Sand, a naive “kid” seeking revenge on the murder of his parents. The tale is a good one where Max establishes a mentor-master relationship with Jonas Cord (Brian Keith) who teaches him how to shoot and attempts to dissuade him from his route as the avenger. Along with his journey, he is loved and assisted by women who get him out of tight fixes like Neesa, (Janet Margolin) an Ojibwe or the cajun girl, Pilar (Suzanne Pleshette), who knows the Louisana swamps better than anyone. McQueen has a gift for picking roles that showcase his life talents such as riding a horse and shooting a gun. He acrobatically leaps up out of his saddle and jumps from fence to fence to sidestep an attacker. McQueen was wiry, dexterous; his complicated childhood as farmer-vagabond-Marine-circus traveler had a silver lining; hard knocks infused a graceful, effortlessness to his future characters. The cinematography of the Nevada mountains to the Louisiana swamps where he is a prisoner of a chain gang adds to the expansiveness of the story. 3.5/5.

The Sand Pebbles (1966)

Directed by Robert Wise and starring: Steve McQueen, Richard Attenborough, Richard Crenna, Candice Bergen, Marayat Andriane, Mako, Charles Robinson, and Simon Oakland.   

Nominated for 8 Academy awards and 8 Globes, including Steve McQueen’s only Oscar nomination, Robert Wise’s pet project took years to bring to fruition, but it was worth the trouble. Clocked at 3 hours long, I split the experience into two days. It is one of the better classics I’ve seen — a great blind spot choice for anyone who wants to watch a highly satisfying film. It’s 1926 China, and the gunboat USS San Pablo (Sailors are nicknamed Sand Pebbles.) cuts through the Yangtze and Xiang River.  It is a love story. It is a historical drama about communists, xenophobia, and international intrigue. It is a sensory treat visually and aurally, with a dramatic Jerry Goldsmith score, engaging sub-plots, and great acting by the entire cast. A youthful Richard Attenborough provided sensitivity and compassion as Frenchy, in love with a Chinese girl named Maily. How was Steve McQueen? His style of acting is minimalism. He appears to stand around a lot doing nothing, saying little, but he creates a type of realism that is surprising. It is hard to keep your eyes off him. He is the core and the actors revolve around him. The tricks he employs to manipulate the audience to keep looking at him is natural and deliberate. I’m trying not to give away spoilers, but in the comment section, feel free to discuss your favorite scenes or thoughts about Steve McQueen. If you haven’t seen The Sand Pebbles, here is a descriptive trailer. 4.5/5. 

Are You Not Entertained?

Here continues a monthly series featuring the music, the books, and the movies that occupied my time.  


For anyone who likes 60s Rock and Roll music and music history in general, check out the 2008 documentary, The Wrecking Crew.  On Netflix,  it is easy to be absorbed with a unique story about the Los Angeles entourage of approximately fifteen session musicians who made groups and singers like The Mama and the Papas, Elvis, and The Beach Boys sound great. Their names didn’t make it on the album, but for fifteen-odd years, they played on hundreds of albums and created the iconic sounds we take for granted today. 4.5/5.



Margaret Atwood, The Robber Bride

What does Margaret do best? She creates a cast of characters, rich with dimension, and stages each with a different perspective about the world around them. First published in 1993, Atwood adapts the Brothers Grimm story, “The Robber Bridegroom.” Three friends are connected by Zenia, who rises to monstrous proportions and wreaks havoc on their lives. My favorite character is Tony, a professor of military history who sees the world via tactical advances and retreats. Tony plays word games by spelling them backward and noticing the how the spin transforms the word into a new connotation thus expanding her vocabulary in an atypical way. This is a clever example of how Atwood drapes details around her characters to breathe originality into her creations. If you appreciate character-driven stories, you’d like this one. 4/5.



After watching director David Mackenzie’s efforts in Hell or High Water (2016), I want to see his British prison film, Starred Up (2013)Taylor Sheridan has an authentic, dialogue-rich script on his hands. As regionalist American writer William Faulkner was famous for revealing the death and disillusionment of the deep south in the early twentieth century, Sheridan and Mackenzie paint a gloomy, desperate rural Texas. Add the outstanding acting by Ben Foster and Chris Pine, brothers who are a believable team, and Jeff Bridges who reprises his guttural mutterings from True Grit to play the smart, irascible Texas Ranger, Marcus. His friendship with his Mestizo partner, Alberto (Gil Birmingham) is endearing. 4.5/5


Hunt for the Wilderpeople(2016). The first third of the film was great. However, as the plot devolved into the ridiculous, I wondered what I was watching. Was it made for a young adult audience? The over-the-top she-cop (Rima Te Wiatta) made sense then. Was it a dark comedy for adults along the lines of Wes Anderson’s Moonrise Kingdom? The violence of the animal hacking and skinning and the themes of death and hopelessness made sense then. Sam Neill performed well as the hairy, grieving misanthrope and Ricky (Julian Dennison) was at times annoying to watch with alternating moments of flatness and sincerity. The lush New Zealand landscape was a plus. 3.5/5. 


Dr. Strange (2016). I’ve read a lot of varying reviews regarding this new addition to the Marvel galaxy. Benedict Cumberbatch, who did his best to sound just like Harrison Ford, becomes the protegee under the marvelous sorceress, Tilda Swinton. I enjoyed the relationship between Stephen and Christine (Rachel McAdams), and appreciated the new spin on Inception/The Matrix borrowings of dimensional shifting and appearance vs. reality. The time-moving-backward scene was brilliant. I was less enamored with the talk and the trap of the golem. I loved the red cape that functioned as a cool suit of armor. Overall, it worked for me. 4/5.


Congratulations, Viggo Mortensen, on another great performance. Wouldn’t it be cool if your brilliant parents hid you out in the middle of the woods, gave you lots of siblings, and you all grew up in harmony as a cult of the Übermensch? Captain Fantastic is a heartwarming tale that satirizes everything wrong with modern society. In the end, the individual vs. society argument ends with a compromise. The freak must conform to find happiness. The conformist must break free of materialism and live pro-actively. Far-leftists and homeschooling parents will love Captain Fantastic. Survivalists and naturalists will love Captain Fantastic. There is a lot to think about with this dark comedy. Let’s all turn off the television and pick up a book. I’ll start with Chomsky. 4.5/5  

mv5bmtyxmjk0ndg4ml5bml5banbnxkftztgwodcynja5ote-_v1_ux182_cr00182268_al_ Manchester by the Sea (2016)Yes, I agree with everyone that Casey Affleck gave an outstanding performance as the passive-aggressive janitor Lee Chandler. He wasn’t the only one. His ex-wife Randi played by Michelle Williams was outstanding.  Lucas Hedges played the tossed around nephew, Patrick, yet he annoyed the heck out of me. Many people know Matt Damon produced the film and indeed, writer and director Kenneth Lonergan, created a realistic, Bostonian culture with all the profanity that you’d expect. When the reason for Lee Chandler’s despair was exposed, I wept all over my buttered-popcorn stained napkin. I am not suggesting there should have been a happy ending, but I hoped for some type of resolution or redemption. Instead, this is a tale of a man who is lost and finds no solution to his guilt. It’s one of the more depressing films I’ve seen in ages. 4/5.  

The Wrong Man(1956) This American docudrama film directed by Alfred Hitchcock starred Henry Fonda as Manny, a poor musician from New York, who is in love with his wife Rose and his two sons. He is a sincere man, who cooperates with detectives who claim he has held up various stores and an insurance company. His wife, Rose (Vera Miles), cannot handle the scandal and upheaval of her life. Bernard Herrmann‘s score is a chisel to the brain. Hitchcock includes ingenious camera angles like the simulation of Manny’s panic in his cell by shaking the camera in a circle or the appearance of the real thief transposed over Fonda’s face. I expected something more from Fonda who felt wooden to me. Did you think it was suspenseful? 3.5/5.


Five Shots: Defrosted Flamingos

The other day, many viewers enjoyed the four frosted flamingos sitting on a fence up at Jerome, Arizona. Well, the sun shines, the snow is gone, and I thought some of you might like to see what they look like minus the snow. I don’t know who makes the costumes, but I can’t help but be curious to see what they’ll be wearing next.

Christmas Day Frosted Flamingos




I expect New Year’s Eve sparkler hats are the next outfit.

If you missed the winter wonderland shots from last weekend, be my guest and check them out HERE and

Five Shots: Jerome on Christmas


Here is the second round of photos taken on Christmas as we drove up to higher elevation and passed through the copper mining town of Jerome, Arizona. We usually get snow once a year, and it is a spectacular treat for us in NC Arizona.

1. Climbing up to Jerome
2. Trees on top
3. Four Frosted Flamingos
4. View From Jerome
5. Church Welcome
6. Winding Roads
7. Mingus Slab
8. Feels Like Heaven

Which one do you like best? 

If you missed the first Christmas set, check out SNOW ON THE MOUNTAIN.

Blog at

Up ↑