Mighty films packed the Oscar ballots in 1952. Honors split between A Streetcar Named Desire, The African Queen, A Place in the Sun, and An American in Paris. Although Best Film went to An American in Paris (1951), Vincente Minnelli lost as director to George Stevens who directed A Place in the Sun. A string of musical hits such as Meet Me In St. Louis (1944), The Bandwagon (1953), Brigadoon (1954), and Kismet (1955) cemented Vincente Minnelli’s reputation. He was awarded Best Director for Gigi (1959) which swept the Oscars with nine awards. His background in theatrical stage direction served him well in the film industry; his gorgeous set designs, cinematography, and vivid colors are features of his style and enhanced all the more with the invention of CinemaScope in 1953.
One of my favorite Vincente Minnelli films is the 1958 classic, Some Came Running starring Frank Sinatra, Dean Martin, and Shirley MacClaine. Of the many reasons why it’s highly regarded, Minnelli’s sensibilities display a colorful world provided by CinemaScope and inspired future directors like Martin Scorsese. I learned a lot about the history of CinemaScope at the American Widescreen Museum site HERE.
Having never gone to film school, I enjoyed this brief video explaining CinemaScope, letter-boxing, and Pan and scan and recommend it.
Some Came Running (1958)
In the film, a rogue and disappointed writer returns to his Midwest hometown where tongues gossip and reputations hang on the perceptions of a family’s name and their power in the community. Played by Frank Sinatra, Dave Hirsh is a caustic Army veteran. Chasing internal demons, he dissociates himself from his superficial brother and sister-in-law and befriends gambler Bama Dillert played by Dean Martin. Shirley MacClaine plays a tramp who follows Dave to his hometown with hopes of wooing him into a relationship. It’s a rare film that has it all: love triangles, class-conflict, dark comedy, suspenseful climax, and a satisfying conclusion delivered beautifully by director Vincente Minnelli. Some Came Running was nominated for five Oscars including Shirley MacClaine’s first Best Actress nomination.
Shirley MacClaine’s performance was outstanding–I prefer it over her celebrated performance in The Apartment (1960). It’s unusual when you consider a segment of the film does not include her. Irony abounds in the film. MacClaine keeps her naïve charm even though she represents the experienced floozy. Unrequited love is a prominent theme. Dave loves a cold teacher whose moral standards place him beneath her. Meanwhile, he spurns the unconditional love of Ginny. The role of women compliment historical and literary themes of domesticity, sexual repression, double standards between the genders, and an overt concern for materialism. Teenager without a cause, Betty Lou, rebels and the unlikely mentors, Dave and Ginny, offer wisdom when her parents possessed none. Rebellion, boredom, and much alcohol drinking hearken to stories by John Cheever and John Updike. If you love Frank Sinatra, you’ve probably already seen this film since it’s an acclaimed acting performance, and he shines as the anti-hero. Dean Martin exudes charm. He is a creep. He redeems himself with his prop, his beloved hat.
It’s a fine classic not to be missed.
What’s your favorite performance in Some Came Running?