Welcome back to the Lucky 13 Film Club. Traditionally, a co-host joins me, and we approach a topic of the film industry and talk to visitors all day on the thirteenth of the month. It’s great to hear from one and all, so add to the conversation. Would you like to lead a discussion you are passionate about? Let’s figure out a topic together and select a month that works for you. It’s easy and fun. Email me with your idea: email@example.com.
The isolated hero is a loner who prefers his own company preferably in nature or isolated position. They are pulled into society to attend to the conflict at hand and by the story’s conclusion, they return to isolation, or at its extreme state, the coffin.
How many movies has Clint starred or directed protagonists that fit this description?
It would be easier to extract the rare ones that did not feature the isolated hero.
Fellow film blogger JOHN RIEBER and I had a conversation a while ago about Eastwood, and I wanted to include his summary of Eastwood’s career:
As director, Eastwood continues his exploration of the hero with his NEXT FILM: THE 1517 to PARIS.
However you want to classify Clint Eastwood as an actor or director, one aspect in all his films are the ISOLATED SETTINGS. Most key scenes and many of his stories occur around isolated positions, whether the job demanded it such as: a radio booth, a police car, the side of a hill, the boxing ring, the sniper’s corner, the cockpit, the convertible, the back of a horse, the front porch, a Japanese cave, or the bathtub. I find whenever I watch an Eastwood film, I am drawn to the isolated setting and it adds in my mind of him as the isolated hero.
Eastwood films are persuasive. He is out to showcase males and females who are strong, individualistic, dedicated, and atypical. His love-affair with the everyday hero inspires us to be true to oneself and to live life with integrity. It’s an important quality he admires, and it’s a virtue in most all his characters. He matches up unlikely friendships in unlikely conflicts. Is there a more universal human condition than how the individual survives within the community? I think Eastwood is one of the more interesting icons to come out of Hollywood. He’s not an icon. He’s Super-Icon.
How do you see Clint Eastwood’s idea of the hero? What do you think about the isolated setting as a way of creating characters and establishing isolation? Do you prefer him in front or behind the camera? If you had room to pack only one Clint Eastwood film, which one could you see over and over? Ahh, now which film is his BEST film?
I encourage you to comment to all who have visited. That’s the fun of discussion.