I was reading the December 2018 article by David Ehrlich, et al, “The 20 Most Anticipated Movies of 2019” on Indie Wire to stimulate my curiosity for films I might like to see this year.
Ad Astra. James Gray leaves the jungle in The Lost City of Z and offers a science fiction drama in space. Starring Brad Pitt, Ruth Negga, Tommy Lee Jones, and Donald Sutherland, it will be a challenge to create a realistic space epic about a son who travels through the solar system to find his father and why his mission to Neptune failed. I am hopeful. Release date: May 24.
The Irishman. Martin Scorsese explores the hitman Frank ‘The Irishman’ Sheeran’s possible involvement in the disappearance of Jimmy Hoffa. If you like mobster movies, I don’t know how one could not be interested, when considering the cast: Robert DeNiro, Al Pacino, Joe Pesci, and Harvey Keitel. Scorsese signs up with Netflix for total creative control and resources. The CGI de-aging of DeNiro has caused rumblings. I’m hoping the chemistry and a well-written script keeps me captivated. It should be seen on the big screen, so I hope it makes it to the theaters. Release date: “Sometime in late Autumn.”
Jojo Rabbit. New Zealand director Taika Waititi (Boy, What We Do in the Shadows, Hunt for the Wilderpeople, Thor: Ragnarok, Two Cars One Night) whose mother was a Russian Jew, creates an unusual tale about a young German boy who searches for his identity in a fascist regime by creating his own version of Hitler as an imaginary friend. In reality, his mother is hiding a Jew in the basement. Starring Scarlett Johansson, Sam Rockwell, Rebel Wilson, and Thomasin McKenzie, who was amazing in Leave No Trace, it sounds like a quirky, dark satire. I hope Waititi’s sensitive side adds compassion and irony to a potentially thought-provoking story. Release date: November 27.
Once Upon a Time in Hollywood. Is this Quentin Tarantino’s final film before he retires? Whether you love him or hate him, this film intrigues me. It’s Quentin Tarantino’s goal at creating the historical climate of Hollywood in the early seventies. Will it be enough? As with most Tarantino films, I find the plots dubious and rambling — a lot of borrowed style but little content. I hope the script he took five years to create has a beginning, a middle, and an end. Yes, of course, I would love to see Brad Pitt and Leonardo DiCaprio together on screen. So, too, Margot Robbie and Al Pacino. It also helps that the Manson murders are a backdrop and not the central plot point of the movie. That Sharon Tate’s sister approved of the script and that Tarantino had the class to ask her for her blessing, helps the cause. Release date: July 26.
What are some films you are looking forward to watching this year?