
As I grazed on a bowl of chocolate-dipped pretzels last night, it occurred to me that the movie I watched had much the same texture and flavor. The Professionals (1966) was directed by Richard Brooks. Filmed in technicolor against the crunchy backdrop of Death Valley, California, Lee Marvin, and Jack Palance were the salty bits while Burt Lancaster and Claudia Cardinale were the sweet chocolate glaze. Who doesn’t like salty-sweet combinations? I think Brooks knew his audience and gave them what they wanted. I know I enjoyed watching Burt Lancaster scale up the side of a cliff with a rope and no stuntman and snappy one-liners like this one:
Rico (Lee Marvin): So what else is on your mind besides hundred-proof women, ‘n’ ninety-proof whiskey, ‘n’ fourteen-carat gold?
Bill Dolworth (Burt Lancaster) Amigo, you just wrote my epitaph!
The film received Academy attention for Best Direction and Screenplay (Richard Brooks), and Best Cinematography (Conrad L. Hall). The story is about a rich Texan who hires three talented mercenary misfits to rescue his beautiful wife from the Mexican bandit Jesus Raz (Jack Palance). The problem arises when the rescuers realize Mrs. Grant (Claudia Cardinale) wasn’t kidnapped by Razu, but running away from her Texan husband (Ralph Bellamy). 4/5
An easy-breezy film that triggered a memory from my youth when male relatives watched and chuckled on late Sunday morning while waiting for the football game to start.
Ulzana’s Raid (1972) is a serious tale starring an older Burt Lancaster, Richard Jaeckel, Bruce Davison and Joaquin Martinez. It is set in the late 1800s and filmed at the Arizona/Mexico border. The terrain is hard and unforgiving but there’s no sweet glaze this time to balance out the harshness of Apache savageries like gang rape, brutal killing, and torture. Burt keeps his feet on the ground and isn’t supplying witty one-liners. Instead, he’s the mentor to a young Lieutenant who grapples with preconceptions of Apache way-of-life, hatred for them, and aspiring to be an effective commander. Ulzana (Joaquín Martínez) and his men escape from the reservation station and Lt. Garnett DeBuin (Bruce Davison) is assigned to bring them in. Director Robert Aldrich takes Alan Sharp‘s script and creates a memorable film. The character Ke-ni-tay (Jorge Luke) is stuck in the middle as the soldier scout who tries to explain to Lt. DeBuin the Apache man needs the power, the essence of a man to be strong. Living on the reservation makes men weak and goes against what Apache stands for. Ke-ni-tay was the most interesting character in the story. I would have preferred to see the plot pan-out through his perspective and know his backstory. However, the film is interesting enough except for the distracting, ill-matched score by Frank De Vol. For instance, after each horrific encounter between white settlers and the Apache, the music resumed with a happy, bouncing Magnificient Seven-ish theme. If you like your westerns with bite, you would enjoy Ulzana’s Raid. 4/5 Sorry, Burt, in this film you seemed tired and uninterested.
I have seen both. Though I prefer ‘Ulzana’s raid’ as a film, I agree that Burt is more ‘himself’ in ‘The Professionals’. Looking forward to more, Cindy. 🙂
Best wishes, Pete. x
LikeLiked by 1 person
Hi Pete, thanks very much. More to follow…
LikeLiked by 1 person
HAven’t seen Ulzana, my doesn’t Bruce Davison look so young!? The Profeessionals was good fun to watch when I was a kid 🙂
LikeLike
A little babe! He was perfect in the role. I love Lee Marvin.
LikeLiked by 1 person
Lee Marvin is just a legend, Bruce became a great character in the X-Men movies BTW 😊
LikeLike
Right! Senator Kelly!!
LikeLiked by 1 person
Yes!
LikeLike
It is always interesting to see how some of these actors who have since aged looked when they were younger isn’t it? 🙂
LikeLiked by 1 person
Indeed!
LikeLiked by 1 person
Even Burt from 66 to 1972 looks dramatically different. I’m reading a biography on him now. He came into pictures pretty late at 30. Can’t wait to move from westerns to a different genre. Can you recommend a good film noir? I think he started with Ava Gardner that launched both careers, yes?
LikeLiked by 1 person
I like both of these films, though neither is my kind of movie. They are too, extremely, masculine–I should hate them–but I don’t. Kind of like what The Piano is to guys–a chick flick, no doubt, but a good chick flick.
LikeLike
Hi Pam. I’m not a big fan of the genre, but I feel it’s a good excuse to see the ones that others have recommended. It allows me to focus on several of his finest. I’m looking forward to seeing him in film noir!
LikeLiked by 1 person
I love The Piano. And I’m a guy. Well, sort-of, I hope. 🙂
LikeLiked by 2 people
Pete, I love both guy films and chick films so don’t worry 🙂
LikeLiked by 1 person
A great film should not be defined by which gender is most likely to watch it. I think we all believe that. 🙂
LikeLiked by 1 person
I’ll drink to that sentiment of yours Cindy 🙂
LikeLiked by 1 person
Oh, I appreciate how you’ve jumped in and talked to the commenters. Just like a L13FC. 🙂 Go right ahead!
LikeLiked by 1 person
Oh I love The Piano and I love the films of it’s director/writer Jane Campion.
LikeLike
Jane’s a heroine.
LikeLiked by 1 person
She sure is Cindy 🙂
LikeLike
I love both of these films Pam 🙂 Oh and I also love The Piano too 🙂
LikeLiked by 2 people
Nice reviews, Cindy. I rewatched The Professionals recently and enjoyed it. Great supporting cast. I am a big fan of anything with Woody Strode in it. And Jack Palance is a favorite also. Been years since I saw Ulzana’s Raid. Got to look it up.
LikeLike
Hi Don. I know of Jack Palance because of City Slickers. I know he’s the face of the Western. I know he’s loved by most anyone who loves Westerns. So it was surprsing to see him play the Mexican Revolutionary. All good to me. I’m filling in gaps of my film knowledge and Westerns are my weakest genre.
LikeLiked by 1 person
You mean you never saw jack Palance as Ghengis Khan, in ‘The Mongols’? 🙂 🙂
LikeLike
Nope. For shame. I blame my age. I’ll be 57 in January, so there’s a hefty chunk of cinema that escaped me because I was a wee girl or teenager. No time like the present to find out what I missed. 😉
LikeLiked by 1 person
I was only teasing! x
LikeLike
No worries. Feeling inadequate compared to you older men who grew up watching this stuff. 😉
LikeLiked by 1 person
“Shane” wouldn’t be “Shane” without the evil of Jack Palance.
LikeLike
I vagually remembered it as a girl on television, but I don’t remember anything about the film. Of course, I believe you. Jack had menacing eyes.
LikeLiked by 1 person
I think it is worth the time it takes to watch “Shane”. If I remember correctly, it was based upon a story written by Jack Shaeffer who lived in Virginia and never visited the West.
LikeLiked by 1 person
Will do!
LikeLike
Even though I am not a big fan of Shane (though I do like it), I too could not see anyone else playing that role besides Jack Palance.
LikeLiked by 2 people
Jack Palance played bad guys., but was not known particularly for his westerns, which accounted for less than 20% of his output. Modern crime films were more his forte, as well as costume pictures, where he could easily pass for Ghengis Khan or Attila the Hun. some of the roles o his i found most memorable are the producer in Godards Contempt, a hollywood actor in a jam iin Aldrichs The Big Knife, Castro in Fleishers Che, and the bad bad guy in. Kazans Panic in the streets. Hes good o the westerns too. In factm he is the only good thing in George Stevens otherwise wretched Shane.
LikeLiked by 1 person
I think you will love Ulzana’s Raid or at least If you love the films of director Robert Aldrich.
LikeLike
Isn’t he one of your favorite directors, John?
LikeLiked by 1 person
Hey Cindy 🙂 That is Robert Altman you are thinking of 🙂 Ulzana’s Raid was directed by Robert Aldrich, who also directed Kiss Me Deadly and Whatever Happened to Baby Jane? among others.
LikeLike
Ah, yes. I think deep down I knew that. 🙂
LikeLiked by 1 person
Oh man, The Professionals was a great movie! I’m just about to start reading a western. Something about a pistol.
LikeLike
Hi TED! Yay! Thanks for buying my book. Yes, it’s strange that I don’t like Westerns and damned if I didn’t write a book about one. 😉 I hope you like the novel and that one of the characters resonate.
LikeLike
The Professions most certainly was.
LikeLiked by 1 person
Been so long since I saw this, I needed your run-down to remember it! Thanks, I liked it!!
LikeLiked by 1 person
You’re welcome. 🙂
LikeLiked by 1 person
John here, I loved both of them – The Professionals and Ulzana’s Raid that is 🙂
LikeLiked by 1 person
I got a notion about Westerns having two types, generally speaking, where you have high entertainment ones like The Professionals, Magnificient 7 and then the “serious” ones that have a message or something to say like “Ulzana’s Raid” and “The Wild Bunch”. Do you think that’s incorrect to think of Westerns like that? I think of all the John Wayne westerns that were silly and lighthearted and then his performance in The Searchers. Clint Eastwood westerns seemed serious. I don’t know.
LikeLiked by 1 person
Ulzana’s Raid and The Wild Bunch I would say are allegorical westerns and the same sentiment can apply to some of the John Wayne ones directed by John Ford (The Searchers and The Man Who Shot Liberty Valance are two examples). For The Searchers, it would be racism and The Man Who Shot Liberty Valance operates as a social commentary on how we as a society on a whole often give off the vibe of preferring a myth over the actual truth. One could even call Howard Hawks Rio Bravo (also with John Wayne) one of the smartest pro-American western ever made – both Hawks and Wayne saw it as their response to High Noon, which they both allegedly hated for political reasons. As for the Clint Eastwood westerns, it depends. The Sergio Leone directed ones I think they can be allegorical in the context that by 1964, America was changing in drastic ways and the meaner aspects of those films fit well with what was going on during then – the assassinations of John and Robert Kennedy. as well as Martin Luther King Jr. and increasing U.S. involvement in the Vietnam War. All of this even though Leone lived in Italy. I have more to say on the subject, but let me just use this as a demonstration 🙂
LikeLike
Loved those old westerns when I was a teenager. The baddies were presented as very bad but right always triumphed over evil in theend. LOL
LikeLike
It was a black and white, ethical world that simplified everything. Behind the curtain, the deceit and shenanigans prevailed.
LikeLiked by 1 person
I love all kinds of westerns – traditional, revisionist, acid westerns etc. Though even ones that are probably labeled traditional (ones directed by John Ford or Anthony Mann) to name just two, actually laid the template for the deconstruction of the genre that would begin in the mid-to-late 1960’s If you study the psychological drama of the films.
LikeLike
Ah, hear you addressed my earlier question to you. Traditional, revisionist, and acid. Hmmm. Please, enlighten me. 🙂
LikeLiked by 1 person
I would have to write a blog entry that, but I will give you a few examples of Acid Westerns and those are Monte Hellman’s The Shooting (1966) and Jim Jarmusch’s Dead Man (1995) to name just two.
LikeLike
Well, get crackin! 😉
LikeLiked by 1 person
Two good ones. I like Jack Palance, too.
LikeLike
I know of no man who does not like him. 😉
LikeLiked by 1 person
🙂
LikeLike
Correction: “Two great ones” 🙂
LikeLiked by 1 person
🙂 Fair enough.
LikeLiked by 1 person
The Professionals is great entertainment and what a cast. Just look at those names you listed. What could be finer than watching Lee Marvin picking off guys with a pistol whilst hoisting a machine gun on his shoulders; Woody Strode calmly firing off a volley of arrows with lit dynamite attached; and Burt Lancaster scaling up the side of a cliff. Not forgetting Jack Palance, who despite being shot multiple times still gets to ride off into the sunset with Claudia Cardinale.
LikeLike
Ha ha. You described it perfectly, Paul. A lot of people think the same way! Fun entertainment capitalizing on the charm and star power of a hellava cast. 🙂
LikeLiked by 1 person
That scene with Lee Marvin that you mention ranks up there with Sam Peckinpah’s The Wild Bunch as one of the many greatest action sequences of 1960’s westerns 🙂
LikeLiked by 1 person
I’m glad we agree, John.
LikeLiked by 1 person
Same here 🙂
LikeLike
The Professionals is near the pinnacle of Top Ten Westerns of all time. Just a great movie: superb Cast; great Writing … damn well everything you’d want in Movie/Western.
Ulzana’s Raid – not so much. But still worthy.
Burt could do Western.
LikeLike
It’s interesting to hear the reactions of different bloggers regarding classic westerns. Some like them on the entertaining side, some like them serious.
LikeLike
Oh I love them both jcalberta 🙂 And yes, Burt can do a western – not only in Apache, but also in Vera Cruz, which like the former and Ulzana’s Raid, was also directed by Robert Aldrich.
LikeLiked by 1 person
Love both films. BTW, Ulzana’s Raid was meant to be a critique of the U.S. military intervention in Vietnam.
LikeLike
Really? Hadn’t heard of that one. Interesting.
LikeLiked by 1 person