The Best Shots of 2017

Here is a roundup of favorite pictures I took during this year. Which one do you like best?

1. A rare snow fell on the Verde Valley, Arizona
2. The Sycamore Canyon Wilderness, AZ
3. Madrid delectables
4. Plaza de España bridges in Seville
5. The marriage of curves and lines
6. La Casa de Pilatos
7. The Alcázar of Seville basement
8. Gaudí elevator
9. Toledo
10. Hotel stairs, Barcelona
11. Bodie Lighthouse, North Carolina

12. Late Summer, Hart Prairie, Flagstaff

13. Kayaking at Woods Canyon Lake, Mogollon Rim, AZ

Another Pair with Gene Hackman

This is the second installment of my winter project of investigating the filmography of a male film star I know too little about. According to Allen Hunter’s biography, Gene Hackman, he grew up in his grandmother’s house surrounded by the unremitting cornfields of Danville, Illinois. He dropped out of high school, joined the Marines on a whim, and served from 1946-51. Acting school followed at the Pasadena Playhouse and the cementation of friendships with peers Dustin Hoffman and Robert Duvall. You can read about their unique 50-year-old friendship in Vanity Fair HERE.

Bonnie and Clyde (1967) 

Warren Beatty produced the film and likened to the role of Clyde because he was a character who wanted to “be somebody’ in the uncooperative climate of the Depression. This motivation was the force behind Clyde; Bonnie coaxed that motivation. Clyde saved her from a boring life and she was willing to do anything for the thrills of their partnership. When her poem, “The Story of Bonnie and Clyde” was published, they had a national audience. Bonnie finally gets the passion she craved. The violence of the film pushed the envelope (a shot to the face of an apprehender smears blood on the getaway car) and the emergence of Faye Dunaway as the reckless Bonnie elevated the film to lofty heights. Dunaway reminded me of a young Bette Davis. The nuances, the body language, and her loveliness were exceptional. It’s one of the best performances I’ve seen by a female performer. But wait. What about Gene Hackman? As brother Buck to Clyde, he gave an enthusiastic, convincing performance as did the rest of the cast, but no one surpassed Faye Dunaway. Fifty years later, the film still stands.  4/5.5  

If you like crime history, here is information about the FBI case of Bonnie and Clyde.

What stood out:

1. Gene Wilder‘s bit-part facial expressions. “Step on it, Velma!”

2. Blanche (Estelle Parsons) screaming; a most annoying character and perfect antithesis to independent Bonnie. Parsons won the Oscar for her role. I love her final scene when the Sheriff coaxes information with false sympathy. She is blind and bandaged and clueless til the end. Awesome role.

3. The opening sequence with Faye Dunaway, bored, restless and naked. Bonnie and Clyde sizing each other up in a matter of minutes, each cool and confident.

4. The famous ending directed by Arthur Penn. I liked the hard cuts, the montage that revealed the final thoughts of Bonnie and Clyde, and the sequence of events to their end.

Scarecrow (1973) 

What is best about the script of these unlikely friends is the 180 degree flip-flopping of their characters. (Lion) Al Pacino and (Max) Gene Hackman are allowed the space to give full-bodied performances. While the story-line was dull at times during its first half, it more than made up for any lags by the last half. Lion’s phone call to his estranged wife Annie was heartbreaking, and the anticipation of Lion’s fall was painful. Max goes from an unlikable character to someone who has benefited from a sincere friendship. It has been compared to Of Mice and Men; if Steinbeck’s classic engages you, you would no doubt enjoy Scarecrow.  4.5/5. 

What stands out:

  1. Watching a young, kindhearted Pacino (instead of later scene-chewing roles) teach the irascible Max a better philosophy of life even though the script seemed heavy-handed at times.
  2. Watching Hackman’s Max change. Usually Hackman is hard and mean and stays that way. It was great to see such a fine transformation. I smiled broadly when I found out why he slept with the shoe under his mattress. When Lion asks him why he picked him to be his partner since he trusts no one, Max responds, “Because you gave me your last cigarette. And you made me laugh.” The chemistry between the two characters was real and showcased great acting .
  3. I loved that open scene with the stormy sky and gold wheat field. The across the highway exchange was wonderful.

Are You Not Entertained?

Here resumes a monthly recap of better music, books, films, and television that entertained me. 

MUSIC

We’ve had a lot of visiting relatives this past month, and Neil Young seemed to be the background noise for much of it. At one point, I actually got tired of listening to him. But he is a staple in our home, and with healthy intermissions, I enjoy listening to his albums. He’s a fun one to mimic with those notes delivered at the back of the throat. He is a mood-setter. In my world, there’s nothing better than sitting by a fire outdoors or in, with wine and Neil singing in the background. How do you pick a favorite? This love ballad released in 1992 never grows old.

BOOKS 

 

Who was the first woman to obtain a glider pilot’s license? Anne Morrow Lindbergh. That’s understandably overshadowed by her husband’s accolades. The most famous man in the world in 1927, Charles Lindbergh landed his Spirit of St. Louis near Paris and completed the first solo airplane flight across the Atlantic. She was his co-pilot literally and figuratively throughout their 45-year marriage. Author Melanie Benjamin‘s historical fiction account is a refreshing twist showcasing the complicated life of the couple from Anne’s perspective. It is a novel full of intrigue, adventure, and scandal without sounding like a soap opera. Melanie Benjamin keeps the narrative cool enough to avoid melodrama, but close enough for the reader to feel like they’re privy to the introverted couple, and it is easy to care for Anne in her unique position. The Aviator’s Wife is gracefully written, entertaining novel. 4/5.

Edward Rutherford’s books are fun history. New York follows the chronological format as the other novel of his I read, The Princes of Ireland. Rutherford created an epic by placing fictional characters that represented a class or social group and placed them into historical events. My favorite section in New York was the July 1863 New York City draft riots. A husband tried to find his abolitionist wife who faced a mob who wanted to kill the African American orphans at her school. I kept thinking about Martin Scorsese’s Gangs of New York when I read this part of the novel; not too surprised to realize I liked the book version more. 4/5. 

TELEVISION

I didn’t like it–I loved every episode including the cool intro music and artwork. Why? I’m a fan of 20th Century social history especially of film. Plus, I think it’s peculiar–America’s obsession with movie stars and the interworkings of making a movie. Although Susan Sarandon portrayed Bette Davis and Jessica Lange depicted Joan Crawford with admirable effort, the most convincing performances went to the entire supporting cast notably Stanley Tucci as Jack L. Warner, Alfred Molina as Robert Aldrich, and Jackie Hoffman as Mamasita. The 8 episode series juggled two stories–the actual feud between Davis and Crawford (I love Whatever Happened to Baby Jane? so the drama behind the film attracted me.) The other story was the Hollywood climate surrounding the casting couch and the manipulative power of male movie moguls. By the end of the series, I had an itch to explore director Robert Aldrich’s filmography.

Movies 

I’ve seen a lot of films lately, especially starring Gene Hackman, but for this post, I picked a pair that had me thinking and feeling.

Predestination(2015). This is a mind-bending, science fiction thriller film written and directed by Michael and Peter Spierig with screenplay help by Robert A. Heinlein.  Time travel is an easier concept to play out in books than in films because the price asked for the suspension of disbelief is high. In books, your imagination fills in the holes while not so at the movies. In this story, agent (Ethan Hawke) embarks on a final time-traveling assignment to prevent an elusive criminal from launching an attack that kills thousands of people. A fine performance by Hawke, but the show goes to the creative performance by Sarah Snook. It’s one I’d watch again. 4/5.

Wind River (2017).  It’s a mystery, crime thriller that personifies the cold, spring of Wyoming on an American Indian reservation. A daughter is raped and runs six miles in her bare feet across the winter landscape. A pretty FBI agent (Elizabeth Olsen) arrives to investigate, ill-suited but determined to solve the mystery, and teams up with wildlife officer Lambert (Jeremy Renner). Despite the somber premise, the movie is moving because the theme of loss permeates all the characters and is allowed to surface in a way that is harmonic with the whispering wind and frozen landscape and a satisfying resolution. It is a strangely beautiful film. Plus, if you want to see a pair from Dances with Wolves, Graham Greene and Tantoo Cardinal were a sight for sore eyes. Actor Gil Birmingham returns from Hell or High Water (2016) to give the best performance of the film as the grieving father. Director and writer Taylor Sheridan is fast becoming a favorite with Sicario (2015), and Hell or High Water (2016) to his credit. He seems to be carrying a freshly-lit torch as writer and director of the post-modern Western. Taylor Sheridan’s ability to make the natural setting an integral part of the plot and his willingness to let an ensemble cast have lines and scenes that foster true characterization are reminiscent of the Coen Brothers. 4.2/5.

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