I’ve watched a lot of films and read a lot of books this past month, and many were okay, but I’d rather cut to the chase and share the best book, film, and television I highly recommend.
The Shadow of the Wind is a 2001 novel by Spanish writer Carlos Ruiz Zafón and a worldwide bestseller. The story begins with 10-year-old Daniel in 1945 in Barcelona. Deep in a library called the “cemetery of lost books”, forgotten, out of print books are shelved and Daniel chooses from a choice of thousands The Shadow of the Wind by Julian Carax. The book contains gothic elements with chilly descriptions of the temporal as well as the temperamental weather. Outlandish and believable characters like sidekick Fermín Romero de Torres whose clownish physical features melt with wise advice and passionate feelings for women contrast the rain clouds that seem to drip blood over haunted mansions. As the novel progresses, Daniel ages and he experiences love and becomes obsessed with the life of Julian Carax. In fact, Carax’s story parallels David’s so that the novel is structurally interesting. Above all, the novel is a mystery. It is beautifully written; most of the characters get their own flashback narrative where obsession becomes a major theme of the novel. It’s a true page-turner, a rare luscious novel that’s florid in style and exciting to read. 4.5/5.
I watched several, but they were mediocre at best, so I don’t have any to recommend.
Alias Grace was Margaret Atwood‘s 1996 fictionalized account of the notorious Grace Marks (Sarah Gadon), a servant who was convicted along with stable hand James McDermott (Kerr Logan) of the 1843 murders of employer Thomas Kinnear (Paul Gross) and his housekeeper Nancy Montgomery (Anna Paquin). Grace leaves the prison every day to talk privately with psychiatrist Dr. Simon Jordan (Edward Holcroft) who falls in love with her. Grace retraces the steps of her life for him while he furiously takes down notes. His job is to determine whether she is insane or deserves to be set free after being in the penitentiary for fifteen years. The committee determined to set her free has paid Dr. Jordan to give a favorable report. This six-part series on Netflix is not to be missed.
Other than Paquin, the cast is refreshingly unrecognizable. Sarad Gadon is breathtaking as Grace and the acting by the ensemble is commendable. Margaret Atwood sits as executive producer while Mary Harron is the director. She did a marvelous job framing the landscape and switching camera angles from far to the minute stitching of the quilts. Favorite detail? The explanation of the quilts and what they represent. Here’s a great article introducing the females behind the series in NOW TORONTO ARTICLE FOUND HERE.
As Grace tells her story, the flashbacks are abundant, and I wondered if this overused device would kill the project for me. But by the conclusion of the series, I understood the purpose was to show the various perspectives from the trial, so that the audience wonders, “Is Grace innocent or guilty?” Grace is so charming and practical, you want her to be innocent. But flashback perspectives are so contrary, one wonders what really did happen?
I won’t ruin the climax of the final installment of the series, but my skin crawled. The dual contradictions and confusions finally made all the sense as the story came to a satisfying ending. Beautifully filmed, expertly acted, an exquisite script including the details of the life of females in the 1800s showcasing their conflicts and impossible oppression without preaching made Alias Grace the best television I’ve seen in years. 4.8/5.