Category: Science Fiction

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Dear Christopher Nolan,

Cindy Bruchman

My daughter and I recently saw Tenet, and we talked about you for the rest of the day. Vanessa’s initial reaction was that your film was more of an experience than watching a story unfold. I was doing my best to listen carefully because I knew I was in for a cerebral experience that demanded my concentration. I wish key clues of the narrative weren’t given when the characters wore various kinds of face masks. It happened a few times. That was one way in which I had no idea what just happened or what was said. I started to panic because I kept scratching my head. I mentally checked, “Okay, I’ll have to watch that again to find out what was said.” To my daughter, I asked, “Maybe I’m too old or stupid to get it?” She replied, “If the whole movie is like that, isn’t ironic you get bored? You love smart movies, Mom. Maybe this was too smart for its own good?” Hmm.

This was the first time since the pandemic that we were back in the movie theaters. We went to a 1pm showing and there were ten people in the whole theater spread about wearing masks. I crunched on my popcorn with enthusiasm. Yes! Back at the movies. Focused and ready to love it. Why did I leave the movie two-and-a-half hours later feeling confused and unsure if I could even say I liked it? I told Vanessa, “Well, I guess I’m going to have to watch it again to find out what I missed the first time.” She replied, “Shouldn’t you want to see it again instead of having to see it again?”

Tenet

Mr. Nolan, let me take a moment to commend you for your efforts. I love mind-benders. I was your biggest fan while watching Inception (2010). You had the perfect balance of outstanding graphics, edge-of-your-seat thrilling cat and mouse scenes. You had an ensemble cast who all did their part to make the narrative interesting to watch. What worked? Your film had heart. I watched Inception many times because I wanted to. Each viewing brought me pleasure and another detail I’d missed before that raised my esteem for you. Tech + heart + thrilling = An A+ movie. May I suggest, sir, that you remember that formula?

Mr. Nolan, I enjoyed your Dark Knight trilogy. You do have a gift for bringing great talent into the ensemble cast. That’s a strength of yours. Heath Ledger was at his best. I loved Sir Michael Caine as Alfred (I didn’t know he was knighted!) I never tire seeing the faces of Gary Oldman or Tom Hardy or Christian Bale. Marion Cotillard is always mesmerizing. Congratulations.

With regards to Tenet, Elizabeth Debicki and Kenneth Branagh acted best. Nice Russian accent, Ken. Their relationship was more interesting than the physics involved in the narrative. I suppose that was the “heart” element to focus on when not wondering what the hell was going on with the backward/forward interplay of time. However, I feel John David Washington‘s character was a wasted character. Heck, he didn’t even have a name. Just a secret agent known as “the Protagonist”. I never had a chance to care about him. This would be my biggest complaint with Tenet. Pattison did okay. Sometimes the actor acts; sometimes he’s a bore. I can’t decide how I feel about Robert Pattinson. Now I hear he’ll be the next Batman. Hmm.

In Tenet, the chase scenes involving the time sequences were thrilling and complicated and gorgeous to watch. You are unique and clever. I don’t see how anyone would object to your thrilling scenes. I won’t.

If I ranked Tenet, I’d give it a 7/10.

Mr. Nolan, I think your contribution to cinema is important. I certainly like your work more than I dislike it. After all, you gave us Memento (2000). Guy Pierce was outstanding and the mysterious thriller worked for me. Can you make more of those?

I’ll watch whatever you make,

Cindy Bruchman

P.S. Interstellar was fantastic. Heart–your protagonist had heart! Please don’t get lost in the cold abyss of technology that you forget to give your characters a heart. After all, that’s what makes movies worth watching.

 

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IMO: Cancer & Altered Carbon

Cindy Bruchman

My mother has cancer. In typical fashion, the salt-of-the-earth woman is facing stage four lung cancer far better than I am. I have worried and wept since October when her back pain led to an MRI, and she lit up like a Christmas tree. Red dots punctuated her lungs, her spine, and lymph nodes. I have flown to Illinois as often as work allows to assist and be a shoulder to lean on. In the end, it is I who needed consoling. My mother would have been a great Buddhist. Her motto: “It is what it is.” 

I say, “You’re dying.” She says, “I’m living with cancer.” 

Recent rain makes the desert flowers bloom prettily. Watch your step!

I flew to Illinois to be with her last weekend. She is alone which bothers me, but she is exactly where she wants to be, in her townhouse surrounded by her favorite possessions and independent. Her routine has always been simple. Wake up at six and turn the television on for background noise. Walk the dog three times a day. Take a nap after lunch. Watch Jeopardy. Watch the news again. Eat dinner. Watch a Netflix series. Go to bed at nine. Repeat. 

I’m shocked by how therapeutic it is to try on her routine and escape my job, my responsibilities, and my hobbies. Like water lapping on the shore, she is the moon that directs the day’s rhythm. I breathe and begin to relax in her company. We buy ice cream cones and take country drives looking for eagles. We laugh at my inability to adjust to the fancy BMW I rented (I didn’t ask for one; the cheap cars were taken and it was all they could offer me.). Our bodies creak as we try to get in and out of the thing. The speed and smooth ride were like the sprinkles that covered my chocolate cone–a sweet indulgence, indeed.     

To contrast the quiet days, I downloaded Altered Carbon, season one on my phone since I heard it was great, and I like Science Fiction. Each night under my covers after Mom went to bed, I watched a couple of episodes and was impressed with the Blade Runner vibe, sophisticated worlds, and plot twists. My favorite character is Poe, who is AI and wants to be human. He provides the comic relief and is more human than anyone else in the grisly, narcissistic world of the haves and the have-nots. It is violent and for mature audiences. I’d like to read the trilogy by Richard K. Morgan for which Netflix developed the television series in 2018.  

According to Forbes contributor, Paul Tassi, season two is less exciting due to budget cuts. Who knows about season three. You can read his article about season two HERE.  All I can say is season one was highly distracting from the solemn situation facing my family. It sure beats listening to the news and panicking over the Corona Virus.  I have plunged deep into creating the rough draft of my third book in a six-part series. It takes place in World War II and two major characters are Jewish sisters who find themselves in the Philippines, 1942. It’s a safe spot to be, writing about the 20th Century while watching the futuristic setting of the twenty-fifth century.

At the end of the month, the April newsletter will be sent to those who have shared their email addresses with me. You are encouraged to join them. I’ll be sharing the research and the process of writing historical fiction. E-mail me at cbruchman@yahoo.com, and I’ll add you to the list.

Love & Friendship,

Cindy

In My Opinion, movies, Science Fiction

IMO: Science Fiction, Metropolis and Ad Astra

Cindy Bruchman

Image result for ad astra

In German class, we are exploring German Expressionism found in film. I showed them the Fritz Lang masterpiece, Metropolis (1927). My students were born after The Matrix CGI made a leap forward. CGI has been a part of their entire lives like cell phones. To show them a silent film made in 1927, and they thought the special effects were cool, and the application of the characteristics of German Expressionism (distortion, exaggeration of human feeling, extreme contrast, horror) was fascinating; I was thrilled that after ninety years, Metropolis still captivates.

Image result for metropolis

When Fritz Lang’s film came out it met with mixed reviews. Favorably, people felt the images and the production design was a character unto itself. They thought it was beautiful in a macabre way. Hence, Metropolis’s effect on future generations is undeniable. Just ask any fan of  Star Wars or Bladerunner.

I saw Ad Astra last weekend in the theater, and I left thinking I had seen a quasi-remake of Apocolypse Now. Tommy Lee Jones was Kurz. Snippets of recordings gave ambiguous meanings to his tracker. Was the fallen angel of the space program crazy and a murderer? I wish Tommy Lee’s character Clifford McBride had lines to say like Kurz:  “I’ve seen horrors, horrors that you’ve seen. But you have no right to call me a murderer. You have a right to kill me. You have a right to do that, but you have no right to judge me. It’s impossible for words to describe what is necessary to those who do not know what horror means. Horror! Horror has a face, and you must make a friend of horror. Horror and moral terror are your friends. If they are not, then they are enemies to be feared. They are truly enemies.”

Brad Pitt’s narration reminded me of Captain Willard (Martin Sheen). Narrating his long epic journey from Earth to Neptune, he questions and fears meeting his father, the man the government wants to be assassinated.

The visuals were fantastic. I’m so glad I saw it on the big screen. Like Metropolis, the production design of Ad Astra transported the individual to the future.

However, I left the theater disappointed. The execution of the storyline was bland. I wished for philosophical discussions. I thought there was too much build-up for a weak finish. I wanted more than the overused close-ups of the wrinkled faces of the two leading men. If only they shortened the journey (It was hard to believe he had traveled to Neptune) and gave more scenes to the father-son like Kurtz and Captain Willard. I thought back to Metropolis and realized once again that you can have the best special effects in the world, but without an interesting storyline, it ends up flat. I wanted a biting social commentary.

Of course, this is just my opinion. Metropolis had mixed reviews. And look how it fared over time. Got five minutes? Here, take a look at why: