Well, it’s finally here! I’m pleased to announce for only .99 cents, you can preorder your Kindle copy of my second book in a six-part series.
This historical fiction project showcases underrepresented voices of the twentieth century in U.S. History. If you’d like to wait for the trade book, it launches on November 1. Thank you to all my blogging buddies, family, and friends for your support.
Reading a Raymond Chandler novel today is like a genre mashup of poetry, historical fiction, and crime mystery all rolled into one. Take The Long Goodbye (1953)for instance.
Raymond Chandler’s hardboiled narration is charming to read. I doubt that was the goal when he wrote it, but sixty-odd years later, reading the lyrical sentences had me smiling throughout the story and showcased Philip Marlowe as a vulnerable tough guy. It’s the contrast that endears.
If I want to feel like I’m in Los Angeles in the 1930s, 40s, and 50s, I can jump into the historical climate of a Raymond Chandler book. The ambiance is authentic in the darker world. What a better place to insert an anti-hero. Philip Marlowe is a complex character with a healthy mixture of noble and ruthless attributes.
Philip Marlowe is often described as a moral man surrounded by unethical people. No one is trustworthy. He is full of contradictions. He is a man of his time. There are occasions in his narrative when he shows little regard for Mexicans, homosexuals, and women. On the other hand, he sees through the masks of affluent or authoritative “important” people. He is a good judge of character, dodging past their games and calling out with brass their true colors even if it gets him thrown in jail or shot at.
In The Long Goodbye, Terry Lenox is a veteran of WWII who saved his buddies in war but can’t save himself back home. He resorts to drinking to help him escape his trauma. He is polite and Marlowe can’t refuse to help him sensing pain and some decency in the man.
“There’s always something to do if you don’t have to work or consider the cost. It’s no real fun but the rich don’t know that. They never had any. They never want anything very hard except maybe somebody else’s wife and that’s a pretty pale desire compared with the way a plumber’s wife wants new curtains for the living room.” – Terry Lennox, Chapter 3, Page 21
In creating Marlowe, Raymond Chandler paints an interesting man who possesses an unusual way of describing his feelings with similes. It is part of Raymond Chandler’s legacy for quick, witty dialogue and provocative, lyrical similes. His language is precise and yet ambiguous in meaning. This is the formula Chandler employes to create Philip Marlowe’s charm and appeal.
“I belonged in Idle Valley like a pearl onion on a banana split.”
“. . . the big statuesque blonde who straight-arms you with an ice-blue glare”.
“I drove back to Hollywood feeling like a short length of chewed string.”
“He looked like a tubercular white rat.”
Philip Marlowe’s popularity in pop culture inspired generations of writers of detective stories and helped birth the genre of the film noir. Join us on May 13 for another rendition of the Lucky 13 Film Club.My good friend Pete from Beetley will help me co-host Raymond Chandler Films.
For today, what do you like about Raymond Chandler novels?
Getting to know British pioneer aviator, Beryl Markham, came about in a roundabout way. The first instance came this summer when I was attracted to the cover and bought a copy of Paula McLain’s 2016 best seller, Circling the Sun. Blending fact with fiction, her prose aroused the stunning setting of 1920s Kenya with authenticity.
As I read the novel, I vaguely remembered it was based on a true person. About half way through the story, the life of Beryl Markham began to feel like an epic romance novel, something from Margaret Mitchell’s imagination, the heroine’s life too outlandish to believe. The ingredients included the British Royalty, Kenyan tribes, eccentric personalities and their parties, horse breeders, big game hunting, love triangles, Beryl’s swinging passions between horses, men, and aviation. Include other associations such as coffee-plantation owner Baroness Karen von Blixen-Finecke whose memoir Out of Africa(1937) inspired me long ago. It followed with the film adaptation in 1985 starring Meryl Streep and Robert Redford–still one of the best films of that decade. After reading Circling the Sun, I itched to read Beryl Markham’s memoir; a colleague passed along her copy to me three years ago. West with the Night was one of those books I knew I needed to read, but it collected dust on my bookshelf instead.
West with the Night, published in 1942 did not do well at first publication. Thanks in part to Ernest Hemingway, his praise for her writing precipitated the second publication forty years later with success. She was four when her family moved to Kenya from Britain. Raised by her father, she learned to ride and train horses and became the first licensed female to train horses in Kenya. In the 1920s, her relationship with the dashing Denys Finch Hatton (Robert Redford’s character in Out of the Africa) inspired her into aviation. In 1936, she became the first person to fly solo across the Atlantic from east (Abingdon, England) to west (Nova Scotia).
Over the years, critics have raised doubts whether her beautiful prose was an original effort or perhaps shaped in part with her third husband, Raoul Schumacher. Regardless of the controversy, I’d like to think the descriptions and tales of Africa–the animals, the horses, and the people, like her wise childhood friend, Kibbi were expressed by her. Here is a hefty sentence, a sampling of her writing from West with the Night (160):
The shores of its lake are rich in silence, lonely with it, but the monotonous flats of sand and mud that circle the shallow water are relieved of dullness, not by only an occasional bird or flock of birds or by a hundred birds; as long as the day lasts Nakuru is no lake at all, but a crucible of pink and crimson fire–each of its flames, its million flames, struck from the wings of a flamingo.
I remember in the film Out of Africa, the birds played a symbolic role romanticizing the beauty of Kenya. In Paula McClain’s novel, she includes this scene of flamingos, and the imagery stands out. I recommend all of it: Paula McClain’s Circling the Sun; Beryl Merkham’s West with the Night; Karen Blixen’s Out of Africa, and if you haven’t seen it, I highly recommend you watch the film version. These leading women were fierce individualists and trailblazers.
Here’s an interesting article with Paula McClain about Circling the Sun. You can read it HERE.
One of my favorite scenes from the film Out of Africa. It’s no wonder Beryl loved to fly. Ahh, that score by John Barry!