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Robert Mitchum Spotlight: Home from the Hill

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Thanks, everyone for the recommendations of Robert Mitchum films to explore during this winter’s festival of a star whose filmography I know too little about. Home from the Hill (1960) is a family saga of repressed passions with the scale and flavor of Giant (1956). This film is a better melodrama with puzzling characters that lodge in your heart. Combine the fine direction by Vincente Minnelli, the strong presence by Mitchum, the excellent acting by newbies George Peppard and George Hamilton, and place them on location shots of Paris, TX (exterior) and Oxford, Mississippi (interior) for a charismatic, southern experience.  Check out the Turner Classic Movies site for facts and trivia found HERE

“Requiem” by Robert Louis Stevenson

Under the wide and starry sky/Dig the grave and let me lie:/Glad did I live and gladly die,/And I laid me down with a will.

This be the verse you ‘grave for me:/ Here he lies where he long’d to be;/Home is the sailor, home from the sea,/And the hunter home from the hill.

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Captain Wade Hunnicutt (Robert Mitchum) has everything a man could desire. He possesses a beautiful wife, Hannah (Eleanor Parker), and the wealth and power as an East Texas baron. His son Theron will carry on the family name, and a collection of stuffed trophies are daily reminders of his prowess as outdoors man. Wade Hunnicutt is the epitome of the alpha dog who does what he wants when he wants because he can.

Now step behind the impressive facade of wealth and power, and the thorns and scars of a broken family emerge, player by player. Who is Rafe played by George Peppard? Sensitive, wise, calm, tender, honorable–George gives a performance that overshadows his mentor, Robert Mitchum. It is the primary reason to watch the film for Rafe is a character that will stay with you long after the film is over.  I admire the direction of Vincente Minnelli. His staging and versatile shots are beautiful, colorful and balanced.

For me, epics are hard to watch because they run too long or the melodrama descends into a soap opera or the acting dips and feels flat. Take Giant for instance. However, Home from the Hill has enough plot twists and room for all the characters to change and grow.  My only criticism would be I disliked how the music manipulated the audience to respond emotionally instead of allowing the actors to do that. When the scene changed, the music staged the mood and how you should react to it. Still, 150 minutes flew by, and I cared for many of the characters, especially Rafe. 4.5 / 5.

Did you feel sorry for confused son Theron? Libby who disgraced her family? Bitter and icy Hannah? What was your favorite scene?