Here continues a monthly series featuring the music, the books, and the movies that occupied my time.
For anyone who likes 60s Rock and Roll music and music history in general, check out the 2008 documentary, The Wrecking Crew. On Netflix, it is easy to be absorbed with a unique story about the Los Angeles entourage of approximately fifteen session musicians who made groups and singers like The Mama and the Papas, Elvis, and The Beach Boys sound great. Their names didn’t make it on the album, but for fifteen-odd years, they played on hundreds of albums and created the iconic sounds we take for granted today. 4.5/5.
Margaret Atwood, The Robber Bride
What does Margaret do best? She creates a cast of characters, rich with dimension, and stages each with a different perspective about the world around them. First published in 1993, Atwood adapts the Brothers Grimm story, “The Robber Bridegroom.” Three friends are connected by Zenia, who rises to monstrous proportions and wreaks havoc on their lives. My favorite character is Tony, a professor of military history who sees the world via tactical advances and retreats. Tony plays word games by spelling them backward and noticing the how the spin transforms the word into a new connotation thus expanding her vocabulary in an atypical way. This is a clever example of how Atwood drapes details around her characters to breathe originality into her creations. If you appreciate character-driven stories, you’d like this one. 4/5.
After watching director David Mackenzie’s efforts in Hell or High Water (2016), I want to see his British prison film, Starred Up (2013). Taylor Sheridan has an authentic, dialogue-rich script on his hands. As regionalist American writer William Faulkner was famous for revealing the death and disillusionment of the deep south in the early twentieth century, Sheridan and Mackenzie paint a gloomy, desperate rural Texas. Add the outstanding acting by Ben Foster and Chris Pine, brothers who are a believable team, and Jeff Bridges who reprises his guttural mutterings from True Grit to play the smart, irascible Texas Ranger, Marcus. His friendship with his Mestizo partner, Alberto (Gil Birmingham) is endearing. 4.5/5
Hunt for the Wilderpeople(2016). The first third of the film was great. However, as the plot devolved into the ridiculous, I wondered what I was watching. Was it made for a young adult audience? The over-the-top she-cop (Rima Te Wiatta) made sense then. Was it a dark comedy for adults along the lines of Wes Anderson’s Moonrise Kingdom? The violence of the animal hacking and skinning and the themes of death and hopelessness made sense then. Sam Neill performed well as the hairy, grieving misanthrope and Ricky (Julian Dennison) was at times annoying to watch with alternating moments of flatness and sincerity. The lush New Zealand landscape was a plus. 3.5/5.
Dr. Strange (2016). I’ve read a lot of varying reviews regarding this new addition to the Marvel galaxy. Benedict Cumberbatch, who did his best to sound just like Harrison Ford, becomes the protegee under the marvelous sorceress, Tilda Swinton. I enjoyed the relationship between Stephen and Christine (Rachel McAdams), and appreciated the new spin on Inception/The Matrix borrowings of dimensional shifting and appearance vs. reality. The time-moving-backward scene was brilliant. I was less enamored with the talk and the trap of the golem. I loved the red cape that functioned as a cool suit of armor. Overall, it worked for me. 4/5.
Congratulations, Viggo Mortensen, on another great performance. Wouldn’t it be cool if your brilliant parents hid you out in the middle of the woods, gave you lots of siblings, and you all grew up in harmony as a cult of the Übermensch? Captain Fantastic is a heartwarming tale that satirizes everything wrong with modern society. In the end, the individual vs. society argument ends with a compromise. The freak must conform to find happiness. The conformist must break free of materialism and live pro-actively. Far-leftists and homeschooling parents will love Captain Fantastic. Survivalists and naturalists will love Captain Fantastic. There is a lot to think about with this dark comedy. Let’s all turn off the television and pick up a book. I’ll start with Chomsky. 4.5/5
Manchester by the Sea (2016). Yes, I agree with everyone that Casey Affleck gave an outstanding performance as the passive-aggressive janitor Lee Chandler. He wasn’t the only one. His ex-wife Randi played by Michelle Williams was outstanding. Lucas Hedges played the tossed around nephew, Patrick, yet he annoyed the heck out of me. Many people know Matt Damon produced the film and indeed, writer and director Kenneth Lonergan, created a realistic, Bostonian culture with all the profanity that you’d expect. When the reason for Lee Chandler’s despair was exposed, I wept all over my buttered-popcorn stained napkin. I am not suggesting there should have been a happy ending, but I hoped for some type of resolution or redemption. Instead, this is a tale of a man who is lost and finds no solution to his guilt. It’s one of the more depressing films I’ve seen in ages. 4/5.
The Wrong Man(1956) This American docudrama film directed by Alfred Hitchcock starred Henry Fonda as Manny, a poor musician from New York, who is in love with his wife Rose and his two sons. He is a sincere man, who cooperates with detectives who claim he has held up various stores and an insurance company. His wife, Rose (Vera Miles), cannot handle the scandal and upheaval of her life. Bernard Herrmann‘s score is a chisel to the brain. Hitchcock includes ingenious camera angles like the simulation of Manny’s panic in his cell by shaking the camera in a circle or the appearance of the real thief transposed over Fonda’s face. I expected something more from Fonda who felt wooden to me. Did you think it was suspenseful? 3.5/5.