science fiction – Cindy Bruchman

My mother has cancer. In typical fashion, the salt-of-the-earth woman is facing stage four lung cancer far better than I am. I have worried and wept since October when her back pain led to an MRI, and she lit up like a Christmas tree. Red dots punctuated her lungs, her spine, and lymph nodes. I have flown to Illinois as often as work allows to assist and be a shoulder to lean on. In the end, it is I who needed consoling. My mother would have been a great Buddhist. Her motto: “It is what it is.”

I say, “You’re dying.” She says, “I’m living with cancer.”

Recent rain makes the desert flowers bloom prettily. Watch your step!

I flew to Illinois to be with her last weekend. She is alone which bothers me, but she is exactly where she wants to be, in her townhouse surrounded by her favorite possessions and independent. Her routine has always been simple. Wake up at six and turn the television on for background noise. Walk the dog three times a day. Take a nap after lunch. Watch Jeopardy. Watch the news again. Eat dinner. Watch a Netflix series. Go to bed at nine. Repeat.

I’m shocked by how therapeutic it is to try on her routine and escape my job, my responsibilities, and my hobbies. Like water lapping on the shore, she is the moon that directs the day’s rhythm. I breathe and begin to relax in her company. We buy ice cream cones and take country drives looking for eagles. We laugh at my inability to adjust to the fancy BMW I rented (I didn’t ask for one; the cheap cars were taken and it was all they could offer me.). Our bodies creak as we try to get in and out of the thing. The speed and smooth ride were like the sprinkles that covered my chocolate cone–a sweet indulgence, indeed.

To contrast the quiet days, I downloaded Altered Carbon, season one on my phone since I heard it was great, and I like Science Fiction. Each night under my covers after Mom went to bed, I watched a couple of episodes and was impressed with the Blade Runner vibe, sophisticated worlds, and plot twists. My favorite character is Poe, who is AI and wants to be human. He provides the comic relief and is more human than anyone else in the grisly, narcissistic world of the haves and the have-nots. It is violent and for mature audiences. I’d like to read the trilogy by Richard K. Morgan for which Netflix developed the television series in 2018.

According to Forbes contributor, Paul Tassi, season two is less exciting due to budget cuts. Who knows about season three. You can read his article about season two HERE. All I can say is season one was highly distracting from the solemn situation facing my family. It sure beats listening to the news and panicking over the Corona Virus. I have plunged deep into creating the rough draft of my third book in a six-part series. It takes place in World War II and two major characters are Jewish sisters who find themselves in the Philippines, 1942. It’s a safe spot to be, writing about the 20th Century while watching the futuristic setting of the twenty-fifth century.

At the end of the month, the April newsletter will be sent to those who have shared their email addresses with me. You are encouraged to join them. I’ll be sharing the research and the process of writing historical fiction. E-mail me at cbruchman@yahoo.com, and I’ll add you to the list.

Love & Friendship,

Cindy

In German class, we are exploring German Expressionism found in film. I showed them the Fritz Lang masterpiece, Metropolis (1927). My students were born after The Matrix CGI made a leap forward. CGI has been a part of their entire lives like cell phones. To show them a silent film made in 1927, and they thought the special effects were cool, and the application of the characteristics of German Expressionism (distortion, exaggeration of human feeling, extreme contrast, horror) was fascinating; I was thrilled that after ninety years, Metropolis still captivates.

When Fritz Lang’s film came out it met with mixed reviews. Favorably, people felt the images and the production design was a character unto itself. They thought it was beautiful in a macabre way. Hence, Metropolis’s effect on future generations is undeniable. Just ask any fan of Star Wars or Bladerunner.

I saw Ad Astra last weekend in the theater, and I left thinking I had seen a quasi-remake of Apocolypse Now. Tommy Lee Jones was Kurz. Snippets of recordings gave ambiguous meanings to his tracker. Was the fallen angel of the space program crazy and a murderer? I wish Tommy Lee’s character Clifford McBride had lines to say like Kurz: “I’ve seen horrors, horrors that you’ve seen. But you have no right to call me a murderer. You have a right to kill me. You have a right to do that, but you have no right to judge me. It’s impossible for words to describe what is necessary to those who do not know what horror means. Horror! Horror has a face, and you must make a friend of horror. Horror and moral terror are your friends. If they are not, then they are enemies to be feared. They are truly enemies.”

Brad Pitt’s narration reminded me of Captain Willard (Martin Sheen). Narrating his long epic journey from Earth to Neptune, he questions and fears meeting his father, the man the government wants to be assassinated.

The visuals were fantastic. I’m so glad I saw it on the big screen. Like Metropolis, the production design of Ad Astra transported the individual to the future.

However, I left the theater disappointed. The execution of the storyline was bland. I wished for philosophical discussions. I thought there was too much build-up for a weak finish. I wanted more than the overused close-ups of the wrinkled faces of the two leading men. If only they shortened the journey (It was hard to believe he had traveled to Neptune) and gave more scenes to the father-son like Kurtz and Captain Willard. I thought back to Metropolis and realized once again that you can have the best special effects in the world, but without an interesting storyline, it ends up flat. I wanted a biting social commentary.

Of course, this is just my opinion. Metropolis had mixed reviews. And look how it fared over time. Got five minutes? Here, take a look at why:

Tag: science fiction

IMO: Cancer & Altered Carbon

IMO: Science Fiction, Metropolis and Ad Astra

Cindy Bruchman

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