The Favourite (2018) More aggravating than entertaining

Image result for the favourite images
I’m just an idiot standing around with no purpose looking like Tom Cruise.

I love historical dramas. It had all the ingredients of fine entertainment. Instead, I scratched my head with bewilderment at the end of it. Fellow-bloggers liked it a lot and many gave it high marks. But for me, I felt more aggravated than satisfied. Be my guest and disagree. Spoiler-alert! 

The Favourite (2018)  

A dark comedy? Yes. Did I leave the theater utterly depressed? Yes. For some, adding modernity to the early 1700s narrative makes Yorgos Lanthimosis‘s latest effort absurd. (The modern dancing, the overuse of the “C” word) is a time warp that doesn’t work. Absurd? No. Incongruent and jarring?Yes. Was the tone of his film to show the ludicrous lifestyle of the nobility? If so, he succeeded. Was his goal to show class-conflict and reveal the sordid details behind the curtains of Queen Anne’s bed? To illustrate an atypical love triangle between two female cousins whose ambition are Machiavellian? He succeeded. On the surface, it seems like a winner. So why was I turned off by the two cousins who battled to win the Queen’s favor, hence, ensure the power of court affairs and financial stability?

It has something to do with a trend in the entertainment industry. Hail to the stories of women who are strong and resourceful. Yes. But I feel there’s an exaggeration taking place at the expense of men. More films than ever showcase women as corrupt, aggressive, and savage while men are utter idiots. In The Favourite, for example, the scene where the naked man dances to avoid being hit by oranges by the rest of the men in the room. Whenever you have a black and white situation — all men are ridiculous and useless — or women are sex toys or dumb blondes– you’ve reached the same level, the basement. While I enjoy the actors Emma Stone and Rachel Weisz, I found their characters repugnant and could not root for either one. Eventually, I became bored.

As far as cinematography, I thought the ultra-wide fisheye lens shots clever and in line with absurdism. The final scene was outstanding with the rabbits. She who steps on the rabbits is stepped on by the foot of the queen. Trapped and caged, all players in the love-triangle lose. The best reason to see The Favourite is for the outstanding acting job by Olivia Colman as Queen Anne of Britain. So while I can see how one could make a case for its virtues, overall, it’s not a film I would ever watch again. 3.0

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